Luqman Ski (born 29 September 1999) is an Indonesian Actor, Singer, & Voice Actor. He made his screen debut from various arthouse films such as Brighter, Brighter Day (2021), Lovers Trouble (2020), Triggris (2017) During his early career Luqman has mainly starred in B movies & experimental indie thrillers including Bootlegging My Way Into Hell (2022), The Bastard Son of the South Coast (2023), & Pamulang Mystery (2023). However, he also appeared in more mainstream drama fare, including As The Sun Sets (2022), Gerry (2019), and Lamentation of Dissonance (2020) His most recent voice acting credit involved playing lead role in a web-series Indonesian coming-of-age anime called SEVEN: Time Well Spent (2022 - present) as the teenage main character REY. He previously also did narration voice overs in independent short films during his time studying in a film school in Jakarta, some of which including Quarantine (2020) and OS1 (2020).
Movie | The Dream is on Jakarta | Ferdi | 2025 |
Movie | PLAY/BACK | Omar | 2025 |
Movie | Akibat Internet Bebas | Pria | 2025 |
Movie | Something To Look For | Evan | 2024-08-06 |
Movie | THE RAGE, Blood From The Sea | Penghuni Markas Underground | 2024-08-05 |
Movie | The Bastard Son of the South Coast | Dobleh | 2023-02-16 |
Movie | Kita Bicara Sebelum Kau Mati | Gerobak / Kipas / TV / Sepeda (voice) | 2023-08-10 |
Movie | Pamulang Mystery | Luqman | 2023-02-18 |
Movie | Trauma Kuntilanak | Luqman | 2023-05-05 |
Movie | The Table Of Death | Revanus | 2022-03-27 |
Movie | As The Sun Sets | Bagas | 2022-04-10 |
Series | Seven: Time Well Spent | Rey | 2022-09-11 |
Movie | Bootlegging My Way Into Hell | Ari | 2022-08-12 |
Movie | Brighter, Brighter Day | RĂ¼ben | 2021-07-19 |
Movie | Happy On My Own | Toni | 2021-07-27 |
Movie | Setara | Luqman | 2021-08-27 |
Movie | Lamentation of Dissonance | Ben | 2020-03-17 |
Movie | Lovers Troubles | 2020-10-07 | |
Movie | (Qua)ran(tin)e | 2020-03-17 | |
Movie | OS1 | The Narrator | 2020-12-03 |
Movie | Gerry | Adrian | 2019-11-28 |
Movie | Triggris | Kant | 2017-10-16 |